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Jean Rouch

Jean Rouch

Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

Born: 1917-05-31 • Paris, France • 127 titles

Known For

Known For

Mad Mimes
ru
Movie•2012

Mad Mimes

Movie•1986

Ciné-Portrait de Bill Witney

Movie•1973

Hommage à Marcel Mauss : Taro Okamoto

Movie•1978

Ciné-Portrait de Stanislas Adotevi

Movie•1984

Hampâté Bâ

Outlaw
et
Movie•2025

Outlaw

L’Enigma di Jean Rouch a Torino - Cronaca di un film raté
it
Movie•2017

L’Enigma di Jean Rouch a Torino - Cronaca di un film raté

Portrait de Jean Rouch
fr
Movie•2004

Portrait de Jean Rouch

Movie•1962

Les pêcheurs du Niger

Movie•1962

Le mil

Movie•1962

Urbanisme africain

Movie•1962

Abidjan, port de pêche

Movie•1963

Les cocotiers

Movie•1963

Le palmier à l'huile

Movie•1958

La royale goumbé

Movie•1951

Les gens du mil

Movie•1948

Hombroï

Movie•1963

Rose et Landry

Zomo et ses frères
fr
Movie•1975

Zomo et ses frères

Monsieur Albert, prophète
fr
Movie•1963

Monsieur Albert, prophète